CWL NEWS ARCHVE

This is the CWL News and Funded Project News Archive. It draws an informative picture on which stories relevant to the creative industries were happening during the AHRC-funded period of Creativeworks London between 2012 and 2016.

— featured article —

MusICA Now: Exploring Sound and Authorship (16th July 2015)

Date: 16 July 2015, 5pm
Venue: Cinema 2, Institute of Contemporary Arts, 12 Carlton House Terrace, London SW1Y 5AH

Click here to book tickets.

Coinciding with the archival exhibition Shout Out! UK Pirate Radio in the 1980s, ICA Researcher-in-Residence Will Dutta has co-curated a special one-off edition of MusICA with Adrian Corker, which aims to create a discourse on pure sound and to explore the legacy of Giacinto Scelsi on a new generation of composers.

This event will start off with a screening of Via di San Teodoro 8 (2011), directed by David Ryan. Somewhere between an experimental documentary and the filmic poetic essay, the film explores Scelsi’s unique approach to microtonalities and is essentially about the process of framing both image and sound, alluding to the seen and the unseen representational spaces of the ‘out‐of‐field’.

The screening will be followed by a live event in the ICA bar, featuring new compositions by Adrian Corker which combines electronic and acoustic explorations of pure sound, as well as a sound installation by Chris Watson.

MusICA (1978-1994) was an annual series of ten contemporary music concerts at the ICA, curated by Adrian Jacks and described by the Financial Times as “a ray of light in the dark: the one series of experimental concerts in London that has had, year after year, the courage to stick its neck out, take calculated risks, and above all to make (and admit) mistakes.”

On Sunday 18 February 1979, MusICA presented the first British performance of music for various instruments by the Italian composer, Giacinto Scelsi (1905-1988). Scelsi’s radical compositional technique and process involved the subtlest uses of texture, timbre and microtones to engage extensively with pure sound in a way that was ahead of his time and still holds fascination for contemporary experimental composers.

Will Dutta is a London-based artist-curator whose creative practice examines an emerging non-classical style across leading gallery, concert hall and club spaces, in the UK and internationally. His critically acclaimed debut album for Just Music, Parergon (2012), centered on his hyper-colourful piano-led collaborations with Warp-veterans Plaid and was described by Vice/Noisey as ‘one of the most deeply rejuvenating musical experiences we’ve come across’. More recently, Will’s work featured on a new single by The Pattern Forms: a ‘super group’ made up of members of the Friendly Fires and the Advisory Circle (2015, Ghost Box).

Adrian Corker is a musician who has composed extensively for films such as Face, Ravenous and The Hamburg Cell and collaborated with musicians including the Elysian Quartet, Richard Skelton and Jack Wyllie. He recently curated a series of gallery shows featuring sound artists such as Jem Finer, Rie Nakajima and Chris Watson, titled The Silence Between. He runs a label, SN Variations, which features music,inspired by and related to Giacinto Scelsi. A second album of his own work will be released later in 2015. He is currently studying the Shakuhachi.

Chris Watson is one of the world’s leading recorders of wildlife and natural phenomena, a BAFTA award-winner and arguably best known for his field recording work on David Attenborough’s Life series. Similarly to Scelsi and Corker’s artistic concerns, Watson uses technology to capture and transcribe pure sound. Most recently Watson has been exploring aspects of spatial sound through Ambisonic installations in collaboration with galleries around the world such as in The Louvre, RMIT Melbourne, Krakow Botanical Gardens, The Millennium Gallery Sheffield, Opera North in Leeds and the Royal Opera House in London’s Covent Garden.

Violinist and musician Aisha Orazbayeva is in demand with a repertoire extending from Bach and Telemann to Lachenmann and Nono. Her two solo albums; Outside, on Nonclassical and The Hand Gallery on PRAH recordings, are critically acclaimed. Aisha has worked with groups including LA Dance Project, the London Sinfonietta and Ensemble Modern, and has performed live on BBC, National Icelandic Radio, Resonance FM, France Musique and Kazakh National TV.

Cellist Lucy Railton is a soloist, curator and collaborator focused on the performance and development of contemporary music. Recent solo appearances include performances at Wysing Festival, Oslo Hackney and the Purcell Rooms and with Russell Haswell at HeK Basel, BBC Radio 3 and Borealis Festival. She is founder of Kammer Klang and co-founder and co-director of the London Contemporary Music Festival.

Line-up

Adrian Corker – Electronics

Chris Watson – Installation

Aisha Orazbayeva – Violin

Lucy Railton – Cello

Will Dutta – DJ

Programme and Timings

5pm: Film Screening

6pm: Chris Watson – Notes from the Forest Floor

7pm: Will Dutta – DJ Set 30’

7.30pm: Live Set

Giacinto Scelsi – Xnoybis 12’

Adrian Corker + Lucy Railton – Improvisation 15’

Giacinto Scelsi – Duo for Violin and Cello 9’

8.15pm: Will Dutta – DJ Sets 45’

Click here to book tickets.

This event is part of Creativeworks London Researcher-in-Residence Scheme. Will Dutta was awarded a Creativeworks London Researcher-In-Residence award to take up residency at the ICA.

 

— more news —
Queen Mary - University of London
Arts & Humanities Research Council
European Union
London Fusion

Creativeworks London is one of four Knowledge Exchange Hubs for the Creative Economy funded by the Arts and Humanities Research Council (AHRC) to develop strategic partnerships with creative businesses and cultural organisations, to strengthen and diversify their collaborative research activities and increase the number of arts and humanities researchers actively engaged in research-based knowledge exchange.